When looking at Byron?s extract from fool Juan and Laetitia Elizabeth Landon?s (L.E.L.) ?When should go to bedrs breathe their vows? it is immediately clear of several differences. To let down with, i is written by a male poet, whiz by a female. When considering the discussion of the approximation of slam in both Romantic text, gender will play an meaning(a) white plague and will need cargonful consideration. Then there is the shape and structure of the poems; one is an extract from a much large epic poem while the other is a gauzy lyrical ballad of just 24 demarcationages. The hoar system is also different with Byron?s written in ottava rima (eight line stanzas with poesy pattern of ABABABCC) while L.E.L.?s uses a quatrain rhyme scheme of ABABCDCD and so on. The rhythm too is different; Byron?s poem is in iambic pentameter while L.E.L.?s is a trochaic tetra metre, although a little irregular at times. drift ensemble these differences become apparent in advance any summary of measure and language is considered. Just how much these differences effect the treatment of the theme of love is what this essay will look at by taking each poem separately before lowest with a final comparison. When looking a Don Juan, it is important to see that love is represented on trio levels. cardinal level is that of Donna Julia.
A second level is that of the storyteller who is ?regarding love?disillusioned and cynical? (Cuddy-Keane, www.utsc.utoronto.ca). And on a third gear level, from the purport of view of Byron himself, who quite often can be intimately read ?within? th e narrator. Starting with Donna Julia, who i! s the main concentrate on in this extract, the reader can see that the stanzas from Canto I are about original love for both Donna Julia and Don Juan. That this is first love for both... If you want to get a full essay, site it on our website:
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